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The Little Girl Who Was Too Fond of MatchesBy Gaétan Soucy
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Alone with their bullying father on a vast estate, a sister and brother speak a language and inhabit a universe of their own making. When the old man commits suicide, they are forced into contact with the villagers and their cloak of romance and superstition quickly falls away to reveal shocking truths. Balancing naiveté with carnality, Soucy employs his signature playfulness, plot twists, and fascination with guilt, cruelty, and violence in a narrative tour de force where nothing is quite what it seems.
- Amazon Sales Rank: #1063882 in Books
- Brand: Brand: House of Anansi Press
- Published on: 2007-11-28
- Original language: English
- Number of items: 1
- Dimensions: 8.17" h x .39" w x 5.32" l, .39 pounds
- Binding: Paperback
- 152 pages
- Used Book in Good Condition
From Publishers Weekly When it appeared in 1998, Soucy's work received critical raves and was the first novel published in Quebec ever to be nominated for France's celebrated Prix Renaudot. Magic realist in tone, the novel chronicles the story of two brothers who grow up isolated from and largely ignorant of the world outside their father's massive estate, save for information gleaned from books and fairy tales. After their father dies, the boys must confront their surroundings, both familiar and unfamiliar; encounters with the inhabitants of the neighboring village rapidly and cruelly strip away their innocence. Occasionally, Soucy's colorful prose captivates, but more frequently the convoluted nature of the narrative befuddles and keeps the reader from following the course of events. A good deal of the writing is stilted and perplexing, as the narrator's frame of reference consists mainly of imagined objects and perspectives born solely of books, and therefore (understandably) divorced from reality. To be sure, such a style reflects Soucy's creativity and inventiveness, and his writing abounds with expressive flights of fancy. Unfortunately, the cumulative effect is to keep the reader at arm's length, and to weaken the force of Soucy's innovative storytelling.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal Adult/High School-Originally published in Canada and nominated for France's Prix Renaudot, The Little Girl is now ready to seduce and disturb American readers. The story concerns two young siblings who have been raised in isolation by their father. They speak a language gleaned from the Bible, tales of chivalry, and Spinoza's Ethics, and live in their own odd world of superstition and (inescapably naive and incorrect) supposition. When they wake one day to find their father dead, the recorder of the tale or, as she calls herself, the "secretarious," ventures for the first time into the nearby village to purchase a coffin. Contact with the villagers speedily unravels the bizarre truth of her and her brother's existence, and they must choose between adapting to the horror of the real world or shutting out knowledge that contradicts every foundation on which they have built their lives. Told in the siblings' language and in their achingly limited point of view, Little Girl is a novel of suspense in which the tension creeps deliciously slowly over readers. If V. C. Andrews and capital-L Literature had a brainchild, this would be it. Simultaneously chilling and enchanting, this is a perfect choice for teens who prefer being scared intelligently and lastingly.
Emily Lloyd, Fairfax County Public Library, VA
Copyright 2002 Cahners Business Information, Inc.
From Booklist Reality is mutable and idiosyncratic in this nearly stream-of-consciousness narrative. Two children, one of them the narrator, find their father dead one morning, frozen in a strange position. They argue for a while, finally agreeing that one of them has to go to the village to buy a grave-box for Papa. The narrator makes the terrifying trek to the village, leaving the other to guard the body. Their subsequent encounter with the outside world, previously unknown to them, is a "mess of pronouns" that shatters the siblings' reality, which is founded upon chivalric romance and Spinoza's philosophy, and reveals something tortuous and awful. Offered from the viewpoint of someone living in a world almost unrecognizable to the outsider, the story is a riddle. Nevertheless, the enigmas of the text have a certain surreal beauty and are fantastic in their horror, which is not necessarily understood as such, except by the reader who realizes just how out-of-the-ordinary the life being reported is. Regina SchroederCopyright © American Library Association. All rights reserved
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